Tag Archive: authors


The Shock Factor!

Nudity. Graphic violence. Rape. Sex. Mass killings. Pedophilia. Extremely harsh language. Dark humor.

No, this isn’t a list of my favorite things, just a few examples of what we see in movies, read in books and hear in music. It’s an undeniable fact that the shock factor is a good way to get butts in seats, books off of shelves and music churning through headphones. It’s certainly not unusual to be shocked, appalled, disgusted, and mad as hell at an author, or rather at what an author writes.

But how far is too far?

How much is too much?

And are writers allowed a “get out of jail free” card for the actions of their characters? After all, if their main character is a murderer, the reader shouldn’t be surprised when that character slams a dull pencil into his disabled mother’s eye…right? If one of the characters in a book is a drug addict, then the reader has no right to be upset with that character is willing to give up their body to everyone they pass in a dirty alley in exchange for drugs…right? Neither does the reader have a right to be upset if the author chooses to go into great detail when describing how that character earns their drugs.

Where is the dividing line between sensationalism and true art when it comes to writing? There’s always been a debate about whether or not paintings of nude people is art or pornography, but I want to put the focus on writing.

I remember back in ’09 that I read a book by Samuel R. Delany called “Hogg.” If you know anything about the book, then you know it’s become extremely well known for its depictions of gay sex, incest, murder, and a full laundry list of taboo subjects. I honestly couldn’t make it through the book. It really wasn’t that I couldn’t stomach the content, just that I couldn’t grasp the story. It might be one of those books you have to stick with in order to fully enjoy, but to me it simply got too repetitive. So did Mr. Delany write “Hogg” because he truly had a story in his head, or did he write it to give people and critics something to talk about? Were his book sales dipping and he needed a way to inject some adrenaline back into his career using any unsavory means necessary?

I can’t help but wonder if I were to write the next “50 Shades of Grey” if that would get publishers and agents interested in me. Interested not because of the story, but because of the subject matter and the potential dollar signs. We all know that the publishing industry is a business, and just like any other business money is most often the biggest factor when deciding whether to go left, right or stay in the same position.

I realize that I’ve posed several questions here and I have yet to provide you with a concrete answer as to whether or not I think the shock factor should be justified or vilified. In some cases, I think going for the reader’s throat is a good way to make them aware, get them talking about things that they’d much rather sweep under their tidy societal rug. I also think going after the reader’s throat can at times be a cheap and lazy trick to keep them interested, to move the story along when you’ve run out of ideas. Cheap and lazy, but still effective.

It’s also quite possible that the author had no idea that they were writing material that might be considered shocking. What makes you uncomfortable might not even make them bat an eye, and what they find disgusting you might call everyday life. So it’s only really shocking if you aren’t familiar with it.

What’s the most shocking thing that you’ve ever read and why was it so jarring to you?

Next post: Writing for fans you don’t yet have. Good idea, or waste of time? 

King Con

So this past weekend I attended my second Denver Comic Con. Aside from the absolute insane lines, I had another fantastic time. I actually met J. August Richards from “Angel” and the upcoming “Marvel’s Agents of Shield” and showed him my driver’s license to prove that my last name is Gunn like the character he played on “Angel.” There was also a panel with Greg Weisman, Khary Payton, Christopher Johnson, Phil LaMarr and the indefatigable Dee Bradley Baker, all of whom worked on one of my favorite shows, “Young Justice.” Kelly Hu was also there to share how winning a beauty contest was the most life-changing event that could’ve happened to her. It was really nice to feel all of that energy, passion, excitement and that sense of community with other fans in the audience. I’m not one to spaz out about meeting celebrities or public figures, but there is something to be said about someone who enjoys what they do so intensely and are willing to take time out of their busy schedule to meet with the hundreds and thousands of people who appreciate all that they do.

I left feeling encouraged, inspired, sad (because the con was over) and rejuvenated. While geeks and nerds usually keep to themselves and stay in their shells, we all seem to come alive at events like Comic Con where we’re around our kind and around people who understand why we get so excited about characters who are drawn and come alive on a page or characters we see on our television screens who are involved in lives of fantasy and science fiction. While we know these characters and scenarios are fiction, the devotion and passion that goes into bringing it all to life is something that just resonates with “the true believers.” It made me want to share more about what I’m writing and working on and who I am, especially the Q&A session with Nelson Ellis.

Nelson Ellis is the actor who’s probably best known for playing Lafayette on “True Blood.” During his panel, Nelson was as open and honest as anyone could be, very raw, very real. He told us about how his parents weren’t comfortable with the idea of him playing a gay man, but that he did it despite that. As I sat in the audience watching and laughing with him, it was clear that I was watching a true actor who was just as comfortable fully becoming another character as he was with fully not only becoming himself, but exposing his true self. And exposing his true self to complete strangers.

The entire weekend rekindled something inside of me that I’ve allowed to diminish over the past few months. That sense of being raw and being open with people. I’m already writing out my pains, scars, fears and fantasies through my stories and sharing them with the world, so why shouldn’t I keep doing that with the real me? I might not become a household name anytime soon, but I definitely want to be known as a writer who clearly enjoys his work, hardships and all, and isn’t afraid of sharing the good and the bad, the pretty and the ugly with his readers. Besides, who knows where I’ll end up, what I’ll end up writing and who I’ll end up writing it with.

I see now that Comic Con isn’t just a convention, it’s a sort of revival.

Take care out there

 

SO I’M PRACTICALLY DONE WITH MY SECOND NOVEL!! There are just a few more passages that I have to go back and add, but for the most part it’s complete. I finished it up last night and looked back and couldn’t believe how much I’d written. I guess I was simply determined to stop at a good place. Afterwards I sat and felt…moved. It was like saying goodbye to a guest that frustrated you, made you mad, made you laugh, taught you things about yourself and showed you what you were capable of. Sometimes I feel like writing is simply another way of expressing yourself and other times I feel like it’s about discovering different parts of yourself. But the thing about it is that you don’t know what you’ve discovered until it’s all done and the final emotions and thoughts wash over you.

Creation

          Discovery

                   Accomplishment

                              Joy

                                        Sadness

                                                  Excitement

I’m gonna let it cool for a few days before I jump back in and put the finishing touches on it. Now that that project if FINALLY wrapped up, I can turn my attention to my neglected literary baby, Dark On The Rock. While I’ll still be writing about superheroes, Dark On The Rock doesn’t stick so closely to the rules and circumstances of our reality and I can allow myself more room creatively not to try so hard to make it so realistic.

I read a quote recently that said something along the lines of would I still write if I didn’t make any money from writing or never had my work published/read. I think the answer to that question is an emphatic yes. Although it would be nice to share my work with other people and get paid to do it, I think I’d be just as satisfied knowing that I had written something that changed my life if not anyone else’s. It’s hard for me to wrap my head around the idea that there are people in this world who don’t like to or feel that they can’t use their creative abilities or think that they don’t have any creative talent. But then again I’ve been writing since a very young age, so it’s hard for me to imagine myself as a non-creative individual, at least in the sense of artistic creativity.

While I’m both relieved that I finished the novel and sad to leave my character and their world for a while, I am excited about embarking on other adventures. I’ll be sure to keep you posted!

Take care out there.

How do you feel once you’ve finished a writing project? Overjoyed? Relieved? Pensive? Ready to start your next project?

New Year, New Chances

There’s a sense of healing, a sense of redemption and a sense of reflection when we arrive at the beginning and the end of a year. It’s almost like reaching the end of a chapter of a book and pausing for a moment to reflect on what we’ve read up until this point before continuing on. What is it exactly that makes us wait until the end of the year to be the most reflective and to start to change and rearrange the way that we live our lives? Why not do it in the middle of the week, the middle of the month or in the middle of spring? Perhaps there’s something about 365 days of trying our best to stick to a new commitment. Perhaps when the ball drops in Times Square we drop our bad habits and hang-ups along with it. Whatever it is, I say journey onward toward the new year, toward the new you.

This year I plan on being a better me. I know that I’m capable of doing so much more in my life if I simply stop being afraid of what may happen and stop being lazy. If current events have taught us anything, it’s that we don’t know when or how we’ll be snatched away from the grip of life. I don’t want to die knowing that I could have made more of an effort to become published, more of an effort to write more, more of an effort to really explore the ideas buzzing in my head throughout the day. How many great stories and great authors have remained in the shadows of obscurity all because they were afraid to put themselves and their work out there or too lazy to truly apply themselves to their writing? I don’t want that to be said about me, and I don’t want to go to bed thinking that I wasted another day.

This year I want to work on having more of my stories published while continuing to blog and build up an audience. I also plan on continuing my search for an agent even though I’m still on the fence about becoming traditionally published. If my agent can’t get me a book deal, then maybe she or he can at least help me start my career through another medium. I would like to write comic book scripts, TV/movie scripts and video game scripts. Maybe the agent who can’t find me a book publisher will be able to find me a TV show to write for.

I’m almost finished with the final chapter of my novel and I’m ready to devote more time to my serial story Dark on the Rock over at JukePop Serials. I’m really excited about where the story is going. To think it originally started out as just an experiment. Hopefully it will help with my exposure and efforts to build a platform.

I think it’s best if I quantify my goals rather than simply state them. That way I’ll have a bullseye to aim for rather than a target. Hitting a target is easy, but hitting the bullseye requires work. (Feel free to use that quote as long as you credit me. 🙂 ) I’m going to have at least six short stories published and send out ten to 15 query letters to agents. The first draft of my novel will be finished by January 15th and I’m going to devote more time to Dark on the Rock. I also want to do more with my freelance writing. It’s always nice to have a job you like, and even better to have a job that you like and that you’re good at doing.

Alright, another 365-day long journey has begun…well less now that it’s the third, but you know what I mean.

What are your writing goals for 2013 and why do you think it is that most people wait until the new year to make major changes in their lives as opposed to starting the next day/week/month?

Some authors can write the beginning of a book, short story or chapter off of the cuff. They like to see where the story goes without drawing a map to the final destination. I’ve done this myself a time or two, but I find that my work comes out best if I write my ideas out, look at them and arrange them into a story. No matter what school of thought you subscribe to, sitting down to write a map of where you intend to go with your story does have its advantages.

I like to write my stories a bit like TV shows, where each chapter is an episode and each book can be considered a season. In TV shows, the writers always get together and have a writers meeting to discuss where they are in the season, what the next episode is going to be about, which characters and what story lines will be included in the episode and how the episode they’re currently writing will impact the future of the show. I like to do the same thing whenever I outline the next chapter of a novel or a short story.

I’m currently working on finishing up my second novel. My first attempt at writing a novel is actually going to be the third novel in the series. I was halfway through when I realized that my characters have a backstory that I had yet to fully explore in order to do the novel and the series justice. At first I thought I could do that with just one novel, but it turned out that I actually needed two. In order to figure out the backstories of my characters, I had to get to know them. In order to do that, I had to sit down and “interview” them, see who they were before I met them, what they liked, who their family was, what clothes they liked to wear and what kind of music they listened to. Outlining is a great way to not only discover every facet of your story, but to also figure out who your characters are.

I admit that there is a thrill to simply diving into a story to see where it will take me. The act of raw creation brings a certain sense of urgency and an unpolished refinement that you just can’t get when you outline. Rather than sitting down and interviewing your characters, you allow them to possess you and tell the story purely from their point of view. It’s a bit like listening to the elegance of orchestral music versus the unbridled ferocity of heavy metal. One is very structured, very outlined and the other is undiluted and restrained. Yet both have their target audiences.

So when it comes to the question of outlining, I think it’s best to try your hand at both. If you’re used to outlining, you might want to try writing a poem to exercise those creative mental muscles. Poetry is another one of those raw forms of creation. Rarely do you hear of a poet, rapper, MC, musician or singer who outlines their material. Often they have the music, the verse or the song inside of them and they simply sit down and let it out, allowing it to write itself as they go. After the muse has passed, they go back and clean it up, much like a writer edits their work. If you’re more used to writing off of the cuff and would like to outline more, a suggestion to make the transition is to write out character histories or make up a character and write out their backstory. This will allow your mind to focus, discover and think before putting pen to pad or finger to key.

Take care out there.

Which do you prefer? Outlining or writing off of the cuff? Any particular reason why?  

 

While I’ve always been a fan of music, I love it even more when there’s a message in the lyrics that apply to my life. A group of London DJs and producers called Bugz in the Attic have a song titled “Consequences.” The song is basically about keeping up with your current progress, not lagging behind or going too slow lest you pay the consequences.

I feel like this is something that especially applies to writers. We all know what it feels like when you spend several days in a row churning out pages and pages of material. Creativity is flowing and you feel better knowing you’re making progress and start to feel more like a professional writer and less like someone who only thinks or talks about writing. Then something happens and you go a few days without writing anything. Before you know it, it’s been a week since you’ve even opened the file on your WIP, and that feeling of accomplishment you once had fizzles down to nothing.

Trust me, I know how life gets in the way, but if you were once able to work on your novel, short story or screenplay for several days in a row, you can do it again. Even if your schedule becomes hectic, there’s surely a way you can cram in ten minutes here and ten minutes there. While every second counts, you have to make an effort to make it count. If you don’t keep up with your new writing level, you may pay the consequences. Consequences such as that feeling of emptiness you get when you haven’t written or done anything productive in a while, that feeling of taking three steps forward and stumbling three and a half back. You also run the risk of ruining a serious writing streak. You get your brain used to pumping out several words or pages every day or every other day and then you suddenly stop, slamming you mind into a brick wall. I’ve been working on my novel for the past few days, and I’ve been in nothing but a good mood.

Keep up with the writing spirit and let it have its way. You don’t have to write every day, but try to at least think of ideas and scenes for your story. Always keep a notepad and pen nearby to jot down ideas or use a phone app to keep notes. You’ll find that simply thinking about your story will get you excited. Think of writing like exercise. At first it’s grueling and your muscles protest, but if you keep up with it your body will eventually grow accustomed to it and you’ll be able to do more repetitions, go longer without taking a break and you might even start to look forward to exercising. If you suddenly stop, you run the risk of seeing all of that progress disappear every time you look in the mirror or go up a flight of stairs.

Don’t be afraid of doing more, of being more. And don’t be afraid that your writing streak is just a fluke that will wear off in a few days. Even when you don’t feel productive or creative, you can still study the craft of writing. That way, when another writing streak comes back around you won’t be struggling with scene, dialogue, tone or character arcs.

To end this post, I’ll leave you with “Consequences” by Bugz in the Attic.

Take care out there.

What are some ways that you try to keep a writing streak constant? 

Forging My Own Path

First off, I want to apologize for my lack of updates and for not keeping to my posting schedule. I’m sure you all know how life has a way of getting in the way of things. Part of my funk is that I’ve been having trouble coming up with things to post about, and the other is that I’ve just been lazy. Thankfully, I can be quite hard on myself and won’t allow myself to stray too far from my path for too long.

Now, on to this week’s post.

I’ve been thinking a lot lately about where I see myself in five years, ten years, twenty years. I’d like to think that I’ll be a successfully published author who also writes comic book scripts on the side and maybe help with screenplays and the occasional video game script. I have no idea how or when all of that will come to pass, but there’s one word in that sentence that really sticks out in my mind.

Successfully

What is a successful writer? One who is on the NYT bestseller list, goes on book tours, has several novels published and is well-known in the writing community? Or is a successful writer one who takes comfort and pride in the choices and progress that they’ve made no matter how meager they might be?

It’s easy to get our definition of success tangled up with the general idea of success. And that’s especially true when we’re constantly bombarded with images and headlines about authors who make millions of dollars and can churn out multiple novels in a year. We think of that as a success even though we don’t know what those authors had to give up or what they had to do to get where they are. I’m not saying that every successful person has had to give up a part of themselves to get where they are, but I am saying that we have to look past the dollars and glossy book covers to see what truly makes an author a success.

Even more importantly, we have to discover our very own, very personal definition of success. And that’s something that I’m slowly but surely doing every day. As my dad always says, “all we can do is take it one day at a time.” Taking it one day at a time is hard for me since I meticulously plan things out and analyze past events. I’m either too focused on the future or scrutinizing the past that I forget to simply be in the present moment. And that’s probably another reason that I haven’t been keeping to a writing schedule.

I want to be a writer. I want to be a happy writer. I want to be a successful writer. But more importantly than all of those things are that I want to be me. Not John Grisham, Stephen King, Alexandre Dumas, Charlie Huston or Jim Butcher. Just O’Brian Gunn. All of them are great examples of what can be accomplished with words and ideas, but none of them can tell my story just as I can’t tell theirs.

So what’s my definition of success?

Being the best me that I can possibly be. I hope you’ll do the same.

What’s your definition of success and how do you plan on making that definition manifest?

Take care out there.

P.S. You can now check out some of my superhero themed flash fiction at Super Flash Fiction! “In-xperienced” and “Lies My Heroes Told Me”

Why I Write What I Write

 

I don’t remember exactly when it was that I fell in love with fiction and fantasy. But I do remember there was an allure in exploring possibilities and impossibilities. Maybe it was growing up in Alabama where nothing ever happened that drove me to immerse myself in worlds where adventure was a part of everyday life, magic occurred as naturally as the wind and traveling in a spaceship was a standard practice. Reality was too bland, too boring for me, and reading was an escape from that. But reading fantasy was like dreaming while still awake. I guess fantasy and sci-fi were my Inception.

I’ve always had a vivid imagination and I’ve always been a daydreamer. I think you’d probably have to visit me in a psychiatric ward if it weren’t for a creative outlet like writing. And maybe that’s all that writers, artists, poets and other creative types are, functioning psychotics. Rather than allowing our insanity to consume us and drive us insane, we channel it and work with it to creative something…more, something beyond what we see and experience in everyday life.

I know that the world we live in holds much splendor and wonder, but sometimes all of that magnificence needs to be magnified times a thousand. I don’t want to travel in an airplane, I want to lift my arms and fly under my own will. I don’t want to simply travel to different states and nations, I want to travel to different dimensions. I want to live in the worlds I see in games like Final Fantasy, see what it would be like to have actual superpowers and have a vampire for a roommate.

For a while now I’ve been on a superhero kick. There’s just something about exploring the idea of how having superpowers changes who you are, either in a small way or a big way. Would the world be a better place if Captain America really existed? How different would the world be if it had a Captain Japan or a Captain Africa? What if the Avengers were villains instead of heroes? What if there was one person with the power to solve all of the world’s problems but they decided not to? I hope to write comic book scripts as well as novels someday, and maybe even a video game script or two. Even though I’m not up to date on the latest happenings in the comic book/graphic novel world, I’ll always be a proud comic book nerd.

When it comes to fantasy, I’m enamored with the idea of creating a new world, new rules, new races, new technology and new ideas. I believe that fantasy and sci-fi are the purest forms of creation. The genres force authors to dig deep, unravel thoughts and ideas that they’ve had since they were old enough to comprehend in order to make manifest a new universe where those thoughts and ideas don’t mean a thing. I have one idea for a fantasy story that’s been in my head for years. I dabble with it every now and then, and I’m just now starting to feel “old” enough to make an honest effort of writing it. If I do, I think I’ll have to pull  a George R.R. Martin and spend a few years on it.

As much as I love brazen, in-your-face fantasy and fiction, I also love the subtle nuances of a fiction or thriller. These are the kinds of stories that can keep me up at night wondering if the events and characters pressed between the pages of a book could actually exist. Movies like Christopher Nolan’s Batman trilogy make us believe that there could be a real life Bruce Wayne out there somewhere. While  characters like the Joker and Bane may not exist, the characteristics of those characters most certainly do. That is the type of fiction that I hold closest to my heart, the kind that really makes you sit down and examine your life, the world you live in and how you fit in it.

Fiction, sometimes it’s closer to the truth than reality itself.

Take care out there.

What are some of your favorite genres and why? 

P.S. Don’t forget to check out my serial DARK ON THE ROCK on JukePop Serials! Vote for it if you like it, and be sure to check back this Friday for Episode Three.

Back to Basics

 

Writers not only have to be writers, but business people as well if we’re serious about making  a career out of our passion. We spend time learning about the publishing industry, how to market ourselves, where to find the best critique group for our level of skill, finding agents and more. All of this can be very exciting and fresh, but it can also make us forget why we set out to become a published author in the first place.

I’ll be honest, I’ve been slacking in my writing. I’ve still been working on my writing career, I just haven’t been working on the very thing that will support that career: my writing. I’ve been reading articles, trying to find software to create my own cover for my JukePop Serials story (any suggestions would be welcome) and writing to pay the bills.

Last night I had a small mental breakdown. I was reading an article about how poor publishing is worse than not being published at all. I realize that we need to know what we may be getting in to it before we get in to it and I appreciate the knowledge. But one thing I didn’t appreciate was the way it made me feel, like attempting to become a published author is one of the most risky and foolish decisions a person could choose to do with their life. In the time it takes to write a novel, find an agent, find a publisher, get a book deal and finally see your book on shelves is roughly the same amount of time it takes to finish medical school or earn a PhD. I realize that becoming a medical doctor takes time and money where becoming a published author only takes time and luck. But sometimes it seems as though it’s smarter and less painful to simply follow a different passion, a more sensible passion.

So why do writers do it? Why do we put ourselves through the rejection, pain, setbacks and pitfalls of the journey to authorhood?  Why do we keep faith in our hearts that one day we’ll join the ranks of other successful authors even though we know what’s waiting for us out there? Why?

I asked myself all of these questions last night, wondering if maybe I should focus on another career goal and put writing on the back burner for a few years. At 27 I feel as if I should stop dreaming and wake up and join the real world. But then I remembered how blessed I am. I remembered when I first discovered that I loved to write. I remembered how there is nothing more in this world I’d rather do then tell stories, explore, examine and imagine.

I remembered the magic of writing.    

I don’t want to look at my life ten years from now and wish that I’d kept pursing my first passion. Something could happen tomorrow, next week, next month or next year. But I won’t be there to experience that something if I don’t keep going and keep believing that whatever or Whoever brought me this far isn’t done with me yet, that my journey could be nothing like the horror stories I’ve read. Times are different, my path is different and my circumstances may not be the same.

Almost anyone can be a doctor, graphic designer, business owner or any other practical job. And I’m not demeaning those occupations whatsoever. But not everyone can be a writer, world weaver, yarn spinner, storyteller. Or journey is a different one, with different obstacles and frustrations. And there’s also a different joy and satisfaction associated with what we do. I believe that writing is  the closest I’ll come to finding out what it’s like to bring life into this world.

So not only will I stay in the game, I’ll do my damndest to change the game and win the game. And I hope to see you at the finish line.

Take care out there.

Tell Me Where the Road Turns

 

I’ve been doing a lot of reading on self-publishing and traditional publishing, wondering which would be a better fit for me, my personal tastes and my novel. There are aspects of both that I enjoy: the freedom and independence of traditional publishing, the level of exposure with traditional publishing, the level of control with self-publishing, the professional team you get with traditional publishing…and of course the financial benefits of self-publishing.

With traditional publishing I may have to wait months or years for my novel to come out, I’ll probably have to do all of my marketing on my own, I could be asked to change my title and I may not have much control over what my cover looks like. All of that being said, my material will be looked over by a professional editor, I’ll have more opportunities for reaching a wider audience and I’ll have an agent who knows where and to whom to market my work.

Self-publishing is a lot of work and can take a lot of money for a professional cover, editor and travel expenses if I want to do a book tour or something. That being said, it can be that much more satisfying if I become a success knowing that I did a majority of it on my own. I get to decide how much my book sells for, where my book is sold, what the cover looks like and when the book comes out. I know it’s possible to find an agent and publisher through self-publishing, but I feel like there’re just so many authors out there with magnificent and not-so-magnificent material. How does one stand out? How much time should one devote to marketing, networking, writing and working to keep food on the table?

I’ll be honest with you, there’s a part of me that terrified, overwrought and queasy at the thought of failing as an author. While I have confidence in myself and my writing, I’ll admit that I’m terrible at garnering attention. I’m the quiet, introspective type, not the Don Draper of the professional author world. I know I’ll have to become more extroverted and assertive as a self-published author or a traditionally published author. I know a lot of authors feel like this, and the way I see it is that if we’re brave enough to show readers, many of them faceless strangers, a part of ourselves with our work, then surely pursing an agent or self-publishing should be simple.

I’m sure some of us have heard horror stories about traditionally published authors who were forced to gut their books in order to make them “publishable” only to watch them wither and waste on the bookshelves. And we also know that if you choose to self-publish you have to set yourself on fire and put on a strobe light show with full surround sound simply to get readers to look your way , and even then they may not read your work.

So which path is the right path? Which is less painful? Which is more rewarding in this day and age?

I think they both are.

Rather than looking at it as an “either/or” issue, we should explore both avenues and realize their merit. If I do get an agent before I’m financially ready to be published, then I absolutely must express my concerns with them to make sure that we both want the same thing and so that I can make sure that my career is on the right path. I know that I’ll probably do some self-publishing, just to try it for myself somewhere down the line, hopefully after I’ve built up a bit of a following.

There’s no way of knowing where the road turns, and sometimes there’s no map to look at to plot a course, so all we can do is keep going…even if we’re all by ourselves.

Take care out there.

What are some of your fears and anxieties as a writer?